Microphones
5X Best microphones to record vocals

5X Best microphones to record vocals

and why we like them
Last updated:
August 7, 2025
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Here are the best mics for recording vocals and why we like them.

These mics are ideal for capturing vocals, whether you’re recording a song or spoken word. They’re a must-have for singers and other recording artists.

Researched & written by Sydney Evans
14 min read

3 things to look for in a vocal microphone

Here are the key characteristics to consider when choosing a vocal mic.

Frequency response
Polar pattern
Sensitivity

Why do you need a specific microphone for ASMR?

ASMR is a phenomenon that has captivated millions seeking relaxation through auditory stimuli.

ASMR stands for autonomous sensory meridian response. It’s used as a therapeutic tool and entertainment.

The surge in popularity has driven an increasing demand for high-quality ASMR microphones. These mics need to be designed to capture subtle sounds. These sounds induce the tingling sensations characteristic of ASMR. Unlike regular microphones, ASMR mics pick up nuanced sounds with enhanced sensitivity. Making them essential for creating a truly immersive auditory experience.

ASMR mix recording a brushing sound

At the heart of ASMR microphones embeds the concept of binaural recording. This refers to using two microphones to mimic the natural hearing experience. This technique is designed to capture stereo sounds from different directions. Binaural recording is key for getting a lifelike, three-dimensional perception of sound. This is a key element in delivering realistic ASMR encounters.

1. AKG C414 XLII

The industry-standard for vocals
Price when reviewed:
$1,118
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Why we like the AKG C414 XLII

We like:

Multi‑pattern flexibility and nine selectable polar patterns adapt perfectly to vocals.

Adjustable pads and low‑cut filters let you tame sources up to 158 dB SPL and reduce proximity bass boost.

Near-flat frequency response from 20 Hz to ~1 kHz delivers a clean capture and gentle high‑frequency lift (5 kHz–15 kHz).

Durable metal housing and well-engineered mechanics.

How it handles almost any sound source.

We do not like:

Expensive for smaller studios or hobbyists on a budget.

The shock‑mount is plastic, clashing with the mic’s overall quality and making it unstable on stands.


An update of the C414, the AKG C414 XLII might be compact, but it has a large diaphragm condenser. This mic boasts customizable features and offers a brighter tone than the original.

With this mic, you can switch between 9 different polar patterns. Among them are omnidirectional, cardioid, wide cardioid, hypercardioid, and figure 8. You can also choose from 3 low cut filters and 3 pre-attenuation pads.

Price when reviewed:
$1,118
AKG C414 XLII
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Features & Specs
Feature Benefit
Nine Selectable Polar Patterns Choose from omni, wide cardioid, cardioid, hypercardioid, figure‑8 plus four intermediate settings for ultimate recording flexibility.
Three Switchable Pad Levels Allows attenuation of −6, −12 or −18 dB so you can record very loud sources cleanly without distortion.
Three Bass-Cut Filters Filters at 40 Hz and 80 Hz (−12 dB/oct) and 160 Hz (−6 dB/oct) reduce rumble and proximity bass boost.
Overload‑Detection LED Alerts you to clipping so you can adjust input gain or pad instantly.
Robust All‑Metal Housing Protects internal components and resists RF/ESI interference even in high‑EM environments.
Compact Form Factor (300 g) Lighter than many handheld mics, ideal for overhead and tight mounting positions.
Specification Details
Microphone Type Large-diaphragm condenser
Polar Patterns Nine patterns including cardioid, omni, hypercardioid, bi‑directional, wide cardioid & internals
Frequency Response 20 Hz – 20 kHz
Max SPL 140 dB SPL (158 dB with −18 dB pad)
Noise Level (A‑weighted) 6 dB-A (IEC 60268‑4)
Signal‑to‑Noise Ratio 88 dB (A‑weighted, 1 Pa)
Dynamic Range 134 dB minimum
Output Impedance 200 Ω
Power Requirement 48 V phantom power
Dimensions ≈ 50 mm diameter × 160 mm length
Weight 300 g (≈ 0.66 lb)
Connector 3‑pin XLR (pin 2 hot)
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2. Rode NT1

Best choice for home studios
Price when reviewed:
$249
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We like:

A warm, rich character and detailed sound

Ultra‑low self-noise (5 dBA) for capturing vocals with excellent clarity and minimal hiss.

A pro‑quality condenser performance for a fraction of the cost of high-end microphones.

Consistent cardioid pattern that isolates vocals and close-miked sources cleanly.

The included shockmount and pop filter make it ready to use out of the box.

Warm, balanced tone flatters most vocal styles.

We do not like:

No LF filter or -dB pad for handling very loud sources or proximity bass without distortion.

The minimal feature set, with a lack of switches, advanced routing, and pads, makes it limiting.


With the Rode NT1, you get vocals that are authentic, incredibly detailed, and bright. This large-diaphragm condenser microphone is ideal for home studios. Thanks to the internal shock mount and capsule, there’s no handling or stand noise. This mic’s cardioid polar pattern makes it suitable for close-micing vocals.

The Rode NT1 has an incredibly wide frequency range, starting at 20Hz and going up to 20kHz. What’s more, the high sensitivity level offers a low noise floor for clean vocal recordings.

Price when reviewed:
$249
Rode NT1
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Features & Specs
Feature Benefit
Distortion control knob Adjusts the intensity of the distortion effect
Tone control knob Modifies the brightness of the sound
Level control knob Sets the output volume of the pedal
Footswitch Engages and bypasses the effect
LED indicator Shows the on/off status of the effect
Power options AC adaptor or 9V battery powered
Specification Details
Input Impedance 470 kOhms
Output Impedance 1 kOhms
Recommended Load Impedance 10 kOhms or greater
Connectors INPUT Jack - OUTPUT Jack - AC Adaptor Jack (DC 9 V)
Power Supply DC 9 V - Dry Battery 9 V type (6F22/9 V) - AC Adaptor
Current Draw 4 mA (DC 9V)
Dimensions (WxDxH) 73 mm x 129 mm x 59 mm (2-7/8 inches x 5-1/8 inches x 2-3/8 inches)
Weight (including battery) 400 g (14 oz)
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3. Audio Technica AT2020

Best budget choice
Price when reviewed:
$119
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We like:

Offers large‑diaphragm clarity and full frequency response across 20 Hz to 20 kHz at a very accessible price.

High SPL handling for loud sound sources without clipping.

Solid cardioid polar pattern provides good side‑noise rejection and works well for voice‑overs, vocals, or podcasting.

Internal shock mount that makes it feel durable for prolonged use.

Low self‑noise captures clean audio in untreated rooms or project studios.

We do not like:

Lack of switches makes it impossible to differentiate between recording scenarios.

Pop sensitivity can cause distortion without a pop filter or proper distance.


The Audio-Technica AT2020 is ideal for creators and vocalists looking for a budget-friendly studio mic that doesn’t compromise too much on quality. It’s a side-address condenser mic with a cardioid polar pattern and a frequency response of 20Hz–20kHz. The mic handles SPLs up to 144 dB, making it especially versatile for louder vocalists or voiceovers. 

The AudioTechnica AT2020’s design is straightforward, and there are no bells and whistles, but that’s kind of the point. It’s dependable, neutral-sounding, and incredibly accessible.

Price when reviewed:
$119
Audio Technica AT2020
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Features & Specs
Feature Benefit
Cardioid Polar Pattern Minimizes background noise and captures sound from the front
Custom Engineered Low-Mass Diaphragm Provides superior transient response and high-quality audio capture
Pivoting, Threaded Stand Mount Allows easy positioning for optimal sound capture
16mm Low-Mass Diaphragm Enhances sensitivity and accuracy in sound reproduction
Specification Details
Microphone Type Condenser
Polar Pattern Cardioid
Frequency Response 20Hz – 20kHz
Bit Depth 16-bit
Sample Rate Not applicable (analogue microphone)
Maximum SPL 144dB SPL (1kHz at 1% THD, 1kΩ load)
Output Impedance 100Ω
Sensitivity -37dB (14.1mV) re 1V at 1Pa
Equivalent Noise Level 20dB SPL
Weight 345g
Dimensions 162.0mm H x 52.0mm W x 52.0mm D
Connector 3-pin XLR
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4. Electro-Voice RE20

Best choice for rap
Price when reviewed:
$449
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We like:

Variable‑D design virtually eliminates the proximity effect even if you move closer to the mic.

Smooth, flat response captures natural voice tone with clarity and neutrality, making it perfect for podcasting or broadcasting.

Internal pop‑filter that eliminates the need for an external shield in most cases.

Virtually indestructible rugged build makes it reliable and long-lasting, even with heavy use.

Minimal off-axis coloration rejects background noise and focuses on the speaker’s voice.

We do not like:

The weight of around 760g can feel bulky on lightweight boom arms or when held by hand.

Frequency extremes (below 30 Hz or above 15 kHz) are less detailed compared to condenser mics.


The Electro-Voice RE20 was designed for radio and live broadcasting. However, it’s also an excellent choice for recording vocals. This mic’s especially suitable for rap, hip-hop, and spoken word. This dynamic mic has a rich, deep sound. It also offers the best background noise rejection. This microphone also has the variable-D response. This means that the sound is uniform, no matter how close you are to it.  

The Electro-Voice RE20 has a true cardioid polar pattern. The frequency response ranges from 45 Hz to 18,000 Hz. However, you might need to combine it with a preamp or other equipment for the best vocal recordings.

Price when reviewed:
$449
Electro-Voice RE20
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Features & Specs
Feature Benefit
Dynamic Cardioid Microphone Provides focused sound capture with excellent background noise rejection
Variable-D™ Design Reduces the proximity effect for consistent sound at varying distances
Internal Pop Filter Minimizes plosives and wind noise for cleaner recordings
Humbucking Coil Reduces electromagnetic interference from nearby equipment
Bass Roll-Off Switch Allows customization of low-frequency response for different applications
Mid-Boost Switch Enhances vocal presence for clearer speech and singing
Includes Shock Mount Reduces vibrations and handling noise for stable recordings
Specification Details
Type Dynamic
Polar Pattern Cardioid
Frequency Response 45Hz – 18kHz
Impedance 150 ohms
Sensitivity 1.5 mV/Pascal
Maximum SPL 160dB
Connector 3-pin XLR
Dimensions (Microphone) 8.53 inches (216.7 mm) x 2.08 inches (52.8 mm) diameter
Weight (Microphone) 24.5 oz (695 g)
Included Accessories Shock mount, stand adapter
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5. Avantone Pro CV-12

Best tube condenser mic
Price when reviewed:
$399
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We like:

Rich, warm vintage sound for vocals.

Robust construction and stylish design that suits vintage and modern studios.

Interchangeable polar patterns to adapt the tone and pick-up to vocals.

Excellent value for money as it rivals more expensive tube microphones.

Tonal balance offers smooth mids and airy highs that complement soft-spoken voices beautifully.

We do not like:

Long warm-up time due to being a tube mic.

Only available in red, so it has limited aesthetic appeal.


The Avantone Pro CV-12 offers warmth and saturation comparable to the AKG C12. This mic has two powerful features. One is the internal vacuum tube designed to produce reduced electromechanical noise. The other is a choice of 9 polar patterns. 

On the whole, this condenser mic features a flat, smooth frequency response. However, you get a subtle boost at 600Hz and 3kHz, with a stronger boost from 9kHz onwards. Together with the tube, this adds saturation, warmth, and sparkle to vocal recordings. Even though the condenser picks up proximity effects, it doesn’t add unpleasant sounds to recordings.

Price when reviewed:
$399
Avantone Pro CV-12
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Features & Specs
Feature Benefit
Tube-Type True Condenser Design Delivers the warm, organic character of classic vintage tube microphones.
Dual‑Sided 32 mm Gold‑Sputtered Mylar Capsule Provides rich detail and accurate sound capture.
Selectable 9 Polar Patterns Offers versatile recording modes (omni, cardioid, figure‑8, and intermediates) via the external power supply.
High-Pass Filter & Pad Includes an 80 Hz cut (6 dB/octave) and a ‑10 dB pad to manage low frequencies and loud sources.
Vintage‑Grade 6072A Vacuum Tube Ensures low noise and classic tube warmth with durable mil-spec components.
Precision Brass Body with Polished Finish Extremely rugged and visually striking for both studio durability and aesthetics.
Includes Retro Shockmount, Power Supply, and Cases Comes with everything needed for professional setup and protection.
Specification Details
Microphone Type Tube-Type True Condenser
Capsule Dual‑sided 32 mm center‑terminated gold‑sputtered Mylar (6 µm)
Polar Patterns 9 selectable via PS‑12 power supply
Frequency Response 20 Hz – 20 kHz ± 3 dB
Output Impedance ≤ 250 Ω (transformer-isolated)
Maximum SPL 136 dB (0.5% THD @ 1 kHz), 146 dB with pad
Equivalent Noise Level <17 dB
Signal-to-Noise Ratio 78 dB
Sensitivity –35 dB
High-Pass Filter 80 Hz, 6 dB/octave
Pad –10 dB
Output Connector 7‑pin male XLR (via included PS‑12 supply and cable)
Tube Type 6072A (mil‑spec)
Power Dedicated PS‑12 power supply (115/230 VAC switchable)
Weight ≈ 0.8 kg (1.8 lb)
Dimensions 237 mm × 46 mm (9.5″ × 1.8″)
Finish Metallic Cabernet Red body with Polished Nickel trim
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6.

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Why do you need a specific microphone for vocals?

Not all microphones are created equal. 

Different mics are designed for different recording environments or sound characteristics. Choose the wrong mic for your vocals, and you’ll have issues with clarity and quality. 

For example, condenser mics are often used in studios. Their detail and sensitivity are ideal for capturing vocal subtleties when recording. Dynamic mics don’t create distortion when capturing loud sounds and are durable. 

While some microphones are versatile enough for various uses, there aren’t any that are one-size-fits-all. Some are made for vocals, while others are designed for recording instruments. You’ll need to choose the right mic if you want to take your vocals to the next level.

How to get the best sound for your vocal recordings

Whether you're starting out, studying music production, or going pro, you need more than a good microphone. You also need to focus on how and where you use your mic.

Start by taking note of the room you record in. Make sure that there aren’t too many hard, reflective surfaces. These make sound waves bounce. This causes reverberation and resonances that can affect your recording. Use soft materials to soften the room, as these will help absorb bouncing sound waves.

It's important to use proper microphone technique when recording. Make sure the mic is 8 to 12 inches away from your mouth. If the mic’s closer than this, the recording will feature pops, clicks, enhanced sibilance, and plosive sounds. Too far away, and the sound will be less direct and affected by room reflections. 

Polar patterns describe how a microphone picks up sound from different directions. 

For vocal recording, the cardioid pattern is the most popular because it focuses on sound coming from the front while reducing noise from the sides and rear. This makes it a solid choice for home studios or rooms without soundproofing. 

Omnidirectional mics pick up sound evenly from all around, which can be useful for capturing room ambience, but isn't ideal when you want to isolate vocals. 

Bi-directional or figure-8 mics pick up from both the front and back, making them great for duets or interviews. 

By choosing the right polar pattern, you have better control over what the mic captures and can avoid unwanted noise.

What is flat or coloured sound?

A “flat” mic has a neutral frequency response, which means it captures sound without boosting or cutting any part of the spectrum. What you hear is what you get. This is ideal for mixing flexibility and for voices that don’t need any added enhancement.

In contrast, a “coloured” mic boosts specific frequencies, often adding sparkle to the highs or warmth to the lows. This coloration can enhance certain voices and genres by giving recordings a more distinctive character. Some mics, like the Avantone CV-12, are designed to add this kind of colour on purpose, delivering a vintage, tube-warmed sound.

The type of mic you need depends on where you are recording.

Your recording environment massively impacts which microphone will work best for you. In a treated studio, a sensitive condenser mic like the Rode NT1 captures rich detail with clarity. But in a noisy or untreated space, a dynamic mic like the RE20 is often a better choice because it naturally rejects background noise and performs well in less controlled settings. If you're travelling or recording on the fly, you’ll want something durable and forgiving. 

While some microphones offer more versatility than others, no mic is perfect for every situation. To get clean, consistent vocal recordings, you need to choose a mic that matches the acoustics of where you’re recording.

Choosing the right microphone to record vocals makes a huge difference.

Each of these mics brings something unique to the table (or studio). However, you also need good technique and a well-prepared recording space. With these, you can record vocals that sound clean, rich, and professional.